{"id":2728,"date":"2018-12-28T12:41:10","date_gmt":"2018-12-28T12:41:10","guid":{"rendered":"http:\/\/icofom.mini.icom.museum\/does-war-belong-in-the-museum-the-representation-of-violence-in-exhibitions-international-council-of-museums-and-collections-of-arms-and-military-history\/"},"modified":"2020-02-06T01:10:47","modified_gmt":"2020-02-06T01:10:47","slug":"does-war-belong-in-the-museum-the-representation-of-violence-in-exhibitions-international-council-of-museums-and-collections-of-arms-and-military-history","status":"publish","type":"post","link":"https:\/\/icofom.mini.icom.museum\/fr\/does-war-belong-in-the-museum-the-representation-of-violence-in-exhibitions-international-council-of-museums-and-collections-of-arms-and-military-history\/","title":{"rendered":"Does War Belong in the Museum? The representation of violence in exhibitions &#8211; International Council of Museums and Collections of Arms and Military history"},"content":{"rendered":"<div id=\"c3578\">\n<p><!-- Plugin inserted: [begin] --><\/p>\n<p>Does War Belong in the Museum? The representation of violence in exhibitions<br \/>\n21st \u2013 23rd September 2011, Graz (A)<br \/>\nMuseumsakademie Joanneum<br \/>\nConference in cooperation with ICOMAM &#8211; &#8211; International Council of Museums and Collections of Arms and Military history and the Styrian Armoury, Graz<br \/>\nRegistration required!<\/p>\n<p>Representations of war and violence in museums mainly oscillate between the fascination of terror and its instruments, on the one hand, and the educational initiative to explain violence and by explaining it to make it possible to come to terms with it and to avoid it, on the other. These museums must also confront fundamental questions of how society and institutions deal with war and violence. Does war really belong in the museum? And if it does, with which means and to what ends? Can the museum avoid trivializing and aesthetising war, of transforming violence, death and trauma into attractions? What images of consternation and identification are created \u2013 and which would be desirable? Is it possible to offer an experience of the dialectic of friend and foe? On the occasion of the 200-year anniversary of the Joanneum Universal Museum, we will discuss possibilities for the Armoury of the State of Styria, both a historical monument and tourist attraction, to develop new, analytical and discursive ways of dealing with war in the museum.<\/p>\n<p>Conference language is English.<\/p>\n<p>Conference Program:<br \/>\n<a href=\"http:\/\/www.museum-joanneum.at\/en\/museumsakademie\/events-12\/does-war-belong-in-the-museum-the-representation-of-violence\" target=\"_blank\" rel=\"noopener\">www.museum-joanneum.at\/en\/museumsakademie\/events-12\/does-war-belong-in-the-museum-the-representation-of-violence<\/a><\/p>\n<p>with:<br \/>\nPeter Armstrong, Creative Development Director, Royal Armouries, Leeds (GB)<br \/>\nDr. Christine Breil, MA,\uf020freischaffende Kulturwissenschafterin, Stuttgart (D)<br \/>\nAlexandra Bounia, University of the Aegean, Mytilene (GR)<br \/>\nThomas Cauvin, Doctoral Researcher, European University Institute, Florence (I)<br \/>\nDr. Robert M. Ehrenreich, Director of University Programs, United States Holocaust Memorial Museum, Washington (USA)<br \/>\nChristine van Everbroeck, Royal Army Museum, Brussels (BE)<br \/>\nDr. Werner Fenz, Director, Institut f\u00fcr Kunst im \u00d6ffentlichen Raum Steiermark, Graz (A)<br \/>\nDr. Nina Gorgus, freischaffende Kuratorin, Frankfurt\/Main (D)<br \/>\nBarton C. Hacker, Curator of Armed Forces History, Smithsonian Institution, Washington (USA)<br \/>\nSusanne Hagemann, MA (D)<br \/>\nDr. Kristiane Janeke, Tradicia History Service, Minsk (BLR)<br \/>\nMMag. Patrizia Kern, Graduate Programme for Transcultural Studies, Karl Jaspers Centre Heidelberg (D)<br \/>\nUniv. Prof. Dr. hc Dr. Helmut Konrad, Universit\u00e4t Graz, Institut f\u00fcr Geschichte, Graz (A)<br \/>\nDr. Wolfgang Muchitsch, Director Universalmuseum Joanneum, Head of the Styrian Armoury, Graz (A)<br \/>\nDr. des Carol Nater, Director, Museum Altes Zeughaus, Solothurn (CH)<br \/>\nDr. M. Christian Ortner, Director, Heeresgeschichtliches Museum, Wien (A)<br \/>\nDr. Gorch Pieken, Director of Exhibitions, Collections and Research, Bundeswehr Museum of Military History, Dresden (D)<br \/>\nRalf Raths, MA, Deutsches Panzermuseum Munster (D)<br \/>\nPer B. Rekdal, Senior Advisor, Museum of Cultural History, University of Oslo (NOR)<br \/>\nProf. Dr. Jay Winter, Yale University, Department of History (USA)<br \/>\nVladimir Ivanovich Zabarovskiy, Director of the Museum of the Great Patriotic War, Moscow (RUS)<\/p>\n<p>Costs<br \/>\nConference: 140 \u20ac, reduced price 100 \u20ac<\/p>\n<p>Post Conference Ljubljana\/Varazdin: 250 \u20ac<br \/>\nIncluding Hotel, Coach and Entrance Fees.<br \/>\nMinimum 10 Particpants.<br \/>\nRegistration required until July 31st.<br \/>\nProgram Post Conference<br \/>\n<a href=\"http:\/\/www.museum-joanneum.at\/en\/museumsakademie\/events-12\/does-war-belong-in-the-museum-the-representation-of-violence\" target=\"_blank\" rel=\"noopener\">www.museum-joanneum.at\/en\/museumsakademie\/events-12\/does-war-belong-in-the-museum-the-representation-of-violence<\/a><\/p>\n<p>Registration and Information:<br \/>\nMuseumsakademie Joanneum<br \/>\nSchloss Eggenberg,<br \/>\nEggenberger Allee 90, 8020 Graz<br \/>\nT +43 (0) 316\/8017-9805, Fax -9808<br \/>\nmuseumsakademie@museum-joanneum.at<\/p>\n<p><!-- Plugin inserted: [end] --> <!-- BEGIN: Content of extension \"hpo_relatedlink\", plugin \"tx_hporelatedlink_pi1\" --><\/p>\n<div><\/div>\n<p><!-- END: Content of extension \"hpo_relatedlink\", plugin \"tx_hporelatedlink_pi1\" --><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Does War Belong in the Museum? The representation of violence in exhibitions 21st \u2013 23rd September 2011, Graz (A) Museumsakademie Joanneum Conference in cooperation with ICOMAM &#8211; &#8211; International Council of Museums and Collections of Arms and Military history and the Styrian Armoury, Graz Registration required! Representations of war and violence in museums mainly oscillate [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"yst_prominent_words":[],"acf":[],"_links":{"self":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/2728"}],"collection":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/comments?post=2728"}],"version-history":[{"count":1,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/2728\/revisions"}],"predecessor-version":[{"id":2731,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/2728\/revisions\/2731"}],"wp:attachment":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/media?parent=2728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/categories?post=2728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/tags?post=2728"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/yst_prominent_words?post=2728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}