{"id":8580,"date":"2026-05-23T11:59:19","date_gmt":"2026-05-23T09:59:19","guid":{"rendered":"https:\/\/icofom.mini.icom.museum\/?p=8580"},"modified":"2026-05-23T11:59:54","modified_gmt":"2026-05-23T09:59:54","slug":"monographie-hidden-stories","status":"publish","type":"post","link":"https:\/\/icofom.mini.icom.museum\/fr\/monographie-hidden-stories\/","title":{"rendered":"Monographie : Hidden Stories, Entangled Spaces: Contested Island Heritage and Contemporary Art Curation"},"content":{"rendered":"

La premi\u00e8re monographie de l’ICOFOM de 2026 vient de para\u00eetre !<\/p>\n

\u00ab Hidden Stories, Entangled Spaces: Contested Island Heritage and Contemporary Art Curation \u00bb, sous la direction d’Ana S. Gonz\u00e1lez Rueda et de Karen Brown, est une publication issue du colloque \u00ab Transnational Island Museologies \u00bb (2024), coorganis\u00e9 par l’ICOFOM et l’universit\u00e9 de St Andrews dans le cadre du projet de recherche \u00ab Shared Island Stories \u00bb.<\/p>\n

Partant de la provocation de Teresia Kieuea Teaiwa, qui transforme le mot \u00ab \u00eele \u00bb en verbe dans l\u2019un de ses po\u00e8mes, et en r\u00e9fl\u00e9chissant \u00e0 ce que signifie \u00ab faire \u00eele \u00bb dans la pratique curatoriale contemporaine, cet ouvrage explore comment une approche urgente, connect\u00e9e, durable et bienveillante fa\u00e7onne aujourd\u2019hui la conception des expositions.<\/p>\n

Cliquez ici pour t\u00e9l\u00e9charger la monographie (PDF)<\/a><\/strong><\/p>\n

\"\"<\/p>\n","protected":false},"excerpt":{"rendered":"

La premi\u00e8re monographie de l’ICOFOM de 2026 vient de para\u00eetre ! \u00ab Hidden Stories, Entangled Spaces: Contested Island Heritage and Contemporary Art Curation \u00bb, sous la direction d’Ana S. Gonz\u00e1lez Rueda et de Karen Brown, est une publication issue du colloque \u00ab Transnational Island Museologies \u00bb (2024), coorganis\u00e9 par l’ICOFOM et l’universit\u00e9 de St Andrews […]<\/p>\n","protected":false},"author":105,"featured_media":8573,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"yst_prominent_words":[538,2101,87,2099,462,674,2097,359,715],"class_list":["post-8580","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classifiee"],"acf":[],"_links":{"self":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/8580","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/users\/105"}],"replies":[{"embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/comments?post=8580"}],"version-history":[{"count":1,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/8580\/revisions"}],"predecessor-version":[{"id":8581,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/posts\/8580\/revisions\/8581"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/media\/8573"}],"wp:attachment":[{"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/media?parent=8580"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/categories?post=8580"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/tags?post=8580"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/icofom.mini.icom.museum\/fr\/wp-json\/wp\/v2\/yst_prominent_words?post=8580"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}